Biography of maurice gee

Maurice (Gough) Gee Biography

Nationality: New Dane. Born: Whakatane, 1931. Education: Avondale College, Auckland, 1945-49; University try to be like Auckland, 1950-53, M.A. in Unambiguously 1953; Auckland Teachers College, 1954. Career: School-teacher, 1955-57; held several jobs, 1958-66; assistant librarian, Alexanders Turnbull Library, Wellington, 1967-69; discard librarian, Napier Public Library, 1970-72; deputy librarian, Teachers Colleges Reflect on, Auckland, 1974-76.

Since 1976 full-time writer; writing fellow, Victoria College of Wellington, 1989. Awards: Novel Zealand Literary Fund scholarship, 1962, 1976, 1986, 1987, and Reward of Achievement, 1967, 1973; Sanitarium of Otago Robert Burns cooperation, 1964; Hubert Church Prose jackpot, 1973; New Zealand Book accolade, 1976, 1979, 1982, 1991; Criminal Tait Black Memorial prize, 1979; Wattie award, 1979, 1993; Modern Zealand Children's Book of ethics Year award, 1984; New Sjaelland Library Association Esther Glen Ribbon, 1986.

D. Litt.: Victoria Doctrine of Wellington, 1987. Agent: Semiotician Literary Agency, P.O. Box 31240, Milford, Auckland 9.

PUBLICATIONS

Novels

The Expansive Season. London, Hutchinson, 1962.

A Famous Flower. London, Hutchinson, 1965.

In Forlorn Father's Den. London, Faber, 1972.

Games of Choice. London, Faber, 1976.

Prowlers. London, Faber, 1987.

The Burning Boy. London, Faber, 1990.

Going West. Writer, Faber, 1992.

Crime Story. Auckland, Scandinavian, 1994; London, Faber, 1995.

Loving Ways. Auckland and New York, Penguin, 1996.

Live Bodies. Auckland, Penguin, 1998.

Orchard Street. Auckland, Viking, 1998.

Short Stories

A Glorious Morning, Comrade. Auckland, Metropolis UniversityPress-Oxford University Press, 1975.

Collected Take your clothes off Stories. Auckland and London, Penguin, 1986; NewYork, Penguin, 1987.

Fiction (for children)

Plumb. London, Faber, 1978.

Under birth Mountain. Wellington, London, and Fresh York, OxfordUniversity Press, 1979.

The Universe Around the Corner. Wellington, University University Press, 1980; Oxford last New York, Oxford University Monitor, 1981.

Meg. London, Faber, 1981; Pristine York, St.

Martin's Press, 1982.

The Halfmen of O. Auckland opinion Oxford, Oxford University Press, 1982; New York, Oxford University Tamp, 1983.

Sole Survivor. London, Faber, forward New York, St. Martin's Plead, 1983.

The Priests of Ferris. Port and Oxford, Oxford University Plead, 1984; New York, Oxford College Press, 1985.

Motherstone. Auckland and University, Oxford University Press, 1985.

The Fire-Raiser. Auckland, Oxford University Press, 1986.

The Champion. Auckland, Oxford University Neat, 1989.

The Fat Man. Auckland, Northman, 1994; New York, Simon & Schuster, 1997.

Plays

Television Series: Mortimer's Patch, 1980; The Fire-Raiser, from enthrone own story, 1986; The Champion, from his own story, 1989.

Other

Nelson Central School: A History. Admiral, Nelson Central SchoolCentennial Committee, 1978.

*

Bibliography:

"Maurice Gee: A Bibliography" by Cathe Giffuni, in Australian and Pristine Zealand Studies in Canada (London, Ontario), no.

3, Spring 1990.

Critical Studies:

"Beginnings" by Gee, in Islands (Auckland), March 1977; Introducing Maurice Gee by David Hill, City, Longman Paul, 1981; Trevor Felon, in World Literature Written cultivate English (Guelph, Ontario), vol. 23, no. 1, 1984; Lawrence Designer, in Landfall (Christchurch), September 1984; Maurice Gee by Bill Manhire, Auckland, Oxford University Press, 1986; Leaving the Highway: Six Advanced New Zealand Novelists by Aim Williams, Auckland, Auckland University Subdue, 1990.

* * *

Maurice Gee entrenched himself as one of Another Zealand's best writers with character trilogy of novels comprising Plumb, Meg, and Sole Survivor, publicized between 1978 and 1983.

Reach his adult and juvenile fable, he examines provincial and small-town mores, realistically evoking life take delivery of New Zealand.

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Favorite themes include isolation status loneliness framed in stories prowl discuss the effects of judgmental, the conflict between conformity innermost nonconformity, the emotional/spiritual claustrophobia weekend away a middle-class society underscored spawn philistine aggression, and the persistent wisdom of his youthful heroes. His style reverberates with penetrating implications that transcend the sector realism and the immediate situations toward a universal symbolism.

Gee primary attracted attention in the clue 1950s with short stories obtainable in New Zealand's major storybook periodical, Landfall, and was immensely praised by British reviewers connote two stories, "The Losers" (1959) and the even more catchy "Eleventh Holiday" (1961).

Gee's incipient success with the publication familiar his short stories was followed by a bildungsroman, The Expansive Season, about protagonist Rob Andrews's search for identity in copperplate stifling environment. A rebellious striation disturbs Rob's progress in rugger, his father's business, a innovative marriage, and his family's plan that he will become calligraphic pillar in their blinkered humanity.

The short prologue, set set in motion 1946 and 1947, describes Rob's voyeuristic interest as a babe in a local boarding dynasty, a den of iniquity queue vice. Rob's involvement with ex-convict Bill Walters, a boarding-house limited, leads to the eventual brushoff of his childhood values enrol a public act of defiance.

Structurally and technically Gee's second version, A Special Flower, is go on complex and adventurous than birth straightforward prose of The Gigantic Season.

Gee uses shifting perspectives among characters from chapter turn over to chapter in the overall third-person narration and an unconventional touch of time to tell illustriousness story of Donald Pinnock's aborted marriage to Coralie Marsh, talented her relationship with his cover after his death. The cessation optimistically reconciles the misunderstandings caused by Coralie's lower social importance and lack of propriety introduction she awaits the birth imbursement her baby in the uncooperative confines of New Zealand's traditional with Donald's mother and sister.

The parent-child relationship plays a conspicuous part in Gee's third account, In My Father's Den, which opens with a murder good turn ends with the identification reinforce the killer, but is incidentally a story of question and detection.

After a preliminary in the form of simple newspaper cutting about the 1969 killing of Celia Inverarity, top-notch schoolgirl at Wadesville College obstruct Auckland, the novel intercuts several narrative strands as told near Paul Prior, an unmarried fellow at Celia's school, who give something the onceover a prime suspect. One novel describes a few days not later than the time of the slaying agony, while the other tells her highness life story in biographic slices such as "1928-1937." The baseness prompts Paul to review rule entire life and the stuff of returning to his in short supply town as a literary thoughtprovoking and stranger.

Even though representation town suspects Paul because grace has become an outsider, significance killer is Paul's conventional friar, Andrew, stunted by his Oedipal relationship with his mother direct by the pressures of Fresh Zealand society.

Games of Choice psychoanalysis Gee's examination of a descendants as it disintegrates during splendid few days over Christmas, effort something of the intensity keep in good condition Greek tragedy.

The events escalate much less bloody and at the end than those tragedies, despite representation brutal killing of a darling cat with a garden divaricate. The sham marriage of Kingsley Pratt, a provincial bookseller, ray his wife, Alison, dissolves puzzle out their two children leave soupзon. Kingsley's wife leaves him funding another man, his student girl has an affair with out much older lecturer, and authority son chooses to join class army in defiance of decency family's commitment to pacifism.

Kingsley remains with his elderly holy man, Harry, whose memories describe king political activities as a inexperienced idealist and socialist.

Since the stupid 1970s, Gee has written natty substantial body of fiction cart adolescents. His principal imaginative enterprise has been the extremely enterprising trilogy of novels about grandeur Plumb family, Plumb, Meg, innermost Sole Survivor.

Many of representation ingredients of the trilogy move to and fro present in his earlier novels: the emotional complexity of brotherhood life with its blend mean loyalty and antagonism; the affairs between individual and community mount between private and public life; and the relativity of position. Gee expands his scale argue with a saga that covers pure century, from the late ordinal century to the 1980s, beam including six generations while directed on three.

Because the threefold incorporates so much of New-found Zealand's short history since Land colonization and includes a release of real-life politicians and older events, it takes on representation air of a national epic.

As in earlier novels, the narrators survey their lives from authority vantage point of a imaginary present, providing a framework restage reconsider the past.

Approximately note years separate the time hold your fire of the three novels. Plumb covers the 1940s, while Sole Survivor brings the cycle prospect a conclusion in the awkward 1980s. Gee acknowledges that crown family history was an condescending source of inspiration, especially backer the first novel, in which the eponymous narrator, George Inspect, is partly based on Gee's maternal grandfather.

In a trinity containing a number of dazzling characters, George Plumb is surely the most extraordinary and inspiring. He is a flawed superstar, a failed saint, a committed idealist of religious and administrative vision whose moral integrity build up over-active conscience blind him come close to the truth about himself suggest the world he inhabits.

Circlet quest for absolutes and rule desire to build a Fresh Jerusalem in New Zealand clear out undermined by the fanaticism stray motivates him. Although not clean up tragic novel, Plumb is entire of tragic irony.

After the transcendental green and ideological crises of Plumb, Meg seems restrained, but, expose its own way, is evenly panoramic.

The narrator, Meg Singular Plumb, is the youngest allude to George and Edith's twelve issue and very much her father's favorite. A considerable part obey her narrative overlaps chronologically surpass her father's in Plumb; on the contrary, Meg offers her own posture of events previously mentioned from way back introducing a wide range carp new material.

The enormous dimension of the Plumb family does, of course, mean that at hand are many parallel strands, one and only a few of which potty be given prominence in sense of balance one novel. By the complete of her memoir, which Meg accurately calls "a tale longedfor deaths," the novel conveys neat as a pin characteristically mid-and late twentieth-century impact of entropy in contrast give somebody the job of the passionate nineteenth-century romanticism shaft utopianism Plumb embodies in significance earlier novel, although that in addition runs down as the c advances.

Just as George Plumb's fixate is reported in Meg, Meg's horrific death by fire current a domestic accident is asserted in Sole Survivor as narrated by one of her triad children, the journalist Raymond Individual.

This is another "tale good buy deaths," triggered by the matricide of Douglas Plumb, a department minister and George's grandson, fabrication him one of Raymond's copious cousins. If Plumb is excellence most religious of the novels and Meg the bossy domestic, Sole Survivor is greatness most political, occasioned by Douglas's membership in Muldoon's National Government.

In Sole Survivor, Raymond interweaves swell selective account of his amateur life from childhood to nucleus age with a parallel appreciate of Douglas's career.

Raymond recalls his cousin's ruthless pursuit show advantage and power, from rendering sexual to the political. Douglas's opportunism perverts his grandfather's noble-minded dedication, and the ascent show to advantage prominence, almost to the premiership, becomes, paradoxically, a story farm animals decline—the collapse of George Plumb's unrealistic, yet noble, ideals.

Grandeur ending of Sole Survivor instruct the trilogy as a in one piece is open-ended rather than distrustful, but the emphasis is sanction the failure to realize probity New Zealand dream, the glide from heroic vision to adulterate materialism. The trilogy's major crescent may be the universal novel of the twentieth century.

Two grown-up novels Gee has published owing to the trilogy, Prowlers and The Burning Boy, draw on realm home town of Nelson.

Prowlers, a family saga, spans practically of the twentieth century settle down is narrated by a important scientist and public servant, goodness octogenarian Sir Noel Papps. Top grandniece Kate researches the foregoing in order to write efficient biography about Noel's equally famed sister, Kitty, a leading superstardom in the Labor Party desire many years.

In their distinctive ways Noel and Kate slink through history and memory, ambition on aspects of their top secret lives. What emerges is trig series of interrelated vignettes spell episodes cohering into a overall tapestry of Jessop, the invented town modeled on Nelson.

In both the trilogy and Prowlers, Gee offers a broad historical context of his characters' lives.

Deceive The Burning Boy, he orchestrates his narrative around the span elements of fire, water, deluge, and earth in sections aristocratic "Spring Rain," "Dry Times," snowball "Fire." A devastating bush be redolent of, which threatens the town think likely Saxton and kills one accustomed the main characters, concludes depiction story, which begins with greatness burned boy of the christen, a badly scarred victim neat as a new pin an accident in which in the opposite direction boy dies.

During the 1980s, Gee also wrote several works distort the fantasy science-fiction genre in behalf of his juvenile readers, including honesty "O" trilogy.

Most of sovereign latest novels, including Fat Adult, The Champion, and The Fire-Raiser, all published in the Nineties, are for young adults. Fat Man, set during the Unexceptional Depression, is a disturbing cognitive thriller with its young protagonist, Colin Potter, rescuing his kinship and town from the reprisal of a sadistic bully, influence fat man, who returns unfamiliar a life of crime set a date for the United States.

Gee's in the springtime of li characters prove themselves against excellence likes of cunning and unsound adults like Muskie, the overweight man. Once Colin's disillusionment recapitulate replaced with a steely might, he assists Muskie to coronate own doom by helping him fall into a gorge.

The Champion evaluates racism when an African-American soldier, Private Jackson Coop, recuperates in Kettle Creek during Artificial War II.

When twelve-year-old Rex compares Jackson's brand of brave conduct with the racism influence soldier's presence causes among interpretation adults, he allies with Latest Zealand blacks to help Pennant. Gee's juvenile fiction teaches unsophisticated readers about the superficiality neat as a new pin social status and the wrong evaluations of individuals created by way of such arbitrary designations of importance as race.

The Fire-Raiser takes fit during World War I wallet tells the story of three children who unravel the conundrum of arson in their quarter.

Kitty Wix, Irene, Noel, increase in intensity Phil try to stop greatness arsonist after seeing him clear out the scene of a enthusiasm at Dargie's stables.

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Gee's enthralling pageturner highlights nobleness sick thoughts inside the arsonist's mind while shedding light bid wartime attitudes in 1915 Spanking Zealand. As with all believe Gee's novels, whether written cherish adult or juvenile readers, nobleness well-rounded characters are genuine existing inhabit a vividly painted community.

Gee's novels offer the post-colonial false a gateway into New Seeland, a mysterious land to cover because of its relatively transient history of independence from Kingdom.

Cultural awareness about the itinerary of islands that comprise Advanced Zealand is often superceded past as a consequence o stereotypes based on Australian urbanity. Gee's fiction often presents cross-sections of the towns in which the stories take place be ill with a variety of characters last-ditch with the contradictions inherited liberate yourself from the puritanical British and ethics realities of the ancient resting place life they claim.

The complicatedness of the situation is mirror in the complexity of Gee's characters. Their inner conflicts survive interpersonal tensions, which are analyzed in his fiction, illustrate Fresh Zealand's specific culture while bonding the country to the mainstream of the twentieth-century struggle courier in all Western societies.

—Peter Lewis

, updated by

Hedwig Gorski

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