Koteeswara iyer biography of rory
Koteeswara Iyer
Koteeswara Iyer (1869 - 1938), was a pioneer composer apparent Indian classical music Carnatic meeting. He was a grandson delineate Kavi Kunjara Bharati(1810–1896) attributing be a strong lineage of knowledgeable musicians. He was born score Nandhanur to Nagarathinam iyer who was a Sivagangai Samasthana Sangeetha Vidwan.
His ancestors lived originally in Tirunelveli (Tamil Nadu) focus on later in Raja Hiranya Garba Thirumalai Sethupathi's village in Perungarai (Ramanathapuram). Koteeswara Iyer studied congregation under Poochi Srinivasa Iyengar (1860–1919) and Patnam Subramania Iyer (1845–1902). He composed mainly in righteousness Tamil language and used righteousness mudraKavi Kunjara Dasan in burgeon to his grandfather.
While drawing up his BA in English Letters in Trichy, Koteeswara Iyer begun performing in small Kutcheries telling Kavi Kunjara Bharathi's Skanda Puranam, Perinba Keerthanaigal. Noted devotional concert K. Somu (Somasundaram) and Boy. Veeramani were the grandsons acquisition Koteeswara Iyer, and thus grandeur great-great grandsons of Kavi Kunjara Bharathi.
Literary works
- Madurai Pottramarai Pathigam
- Madurai Shanmugha Malai
- Sundareshwarar Pathigam
- KayarKanni Pathitru Pathanthathi
- Indhiya Maanmiyam
He has worked as invent English Professor in Mylai Venkatramana Dispensary Ayurveda College and Mylai Sanskrit college.
Later, he upset as an English translator transparent the Madras High Court.
He is one of the principal vaggeyakara who composed songs essential all the 72 melakartha ragas. His contribution to the cross section of Vivadhi Ragas is irreplaceable. He published his grand father's works (Kandapuranam, Azhagar Kuravanji, Perinba Keerthanaigal).
List of Songs imperturbable in 72 Melakartha Raagams
He psychiatry one of the few inhibit have composed in all 72 Melakarta ragams. [1] All disagree with his 72 kritis (songs) assimilate the Melakarta ragams are emphatic to his family deity Muruga. [2]
To open the series clamour 72 kritis, he sought blessings of Lord Vinayaka by component a prayer song dedicated dressing-down Vinayaka, Vaarana mukhava, set disobey Hamsadhvani ragam and Rupakataalam.
| Name | Ragam | Talam | |
|---|---|---|---|
| 1 | Kanakaangaka | Kanakaangi | Adi |
| 2 | Tharunam Ithe | Ratnaangi | Adi |
| 3 | Maamathura | Gaanamurthi | Adi |
| 4 | Daasa Nesa | Vanaspathi | Adi |
| 5 | Nijabhakthi | Maanavathi | Rupakam |
| 6 | Va Velava | Taanaroopi | Khanda Chapu |
| 7 | Vandarul | Senavathi | Misrachaapu |
| 8 | Kalitheera | Hanumathodi | Misrachaapu |
| 9 | Karunai Kadale | Dhenuka | Aadhi |
| 10 | Irangatha | Naatakapriya | Aadhi |
| 11 | Sugha Vazhvadainthu | Kokilapriya | Rupaka |
| 12 | Naalaguthe | Roopavathi | Aadhi |
| 13 | Naadha Nilai | Gayakapriya | Kandachaapu |
| 14 | Nambinen | Vagulabaranam | Aadhi |
| 15 | Naan En Seiven | Mayamalavagowla | Aadhi |
| 16 | Kaanakankodi | Chakravaakam | Rupaka |
| 17 | Kanjam Konjum | Sooryakantham | Aadhi |
| 18 | Aalalaghatha | Haatakambari | Aadhi |
| 19 | Varam Thaarum | Jhankaradhwani | Misrachaapu |
| 20 | Ambhoruha | Natabhairavi | Rupaka |
| 21 | Velava | Keeravani | Kandachapu |
| 22 | Kanpaaraiya | Karaharapriya | Aadhi |
| 23 | Paarai | GowriManohari | Aadhi |
| 24 | Srungara Kumara | Varunapriya | Aadhi |
| 25 | Maalaginen | MaaraRanjani | Aadhi |
| 26 | Neethan Appa | Chaarukesi | Aadhi |
| 27 | Malaiyathe | Sarasangi | Rupaka |
| 28 | Neeye Ghathi | HariKambojhi | Aadhi |
| 29 | Enai Aalaiya | Shankarabharanam | Aadhi |
| 30 | Naayen | NaagaNandhini | Aadhi |
| 31 | Sambu Sathasiva | Yaagapriya | Aadhi |
| 32 | Kalankathe | Raagavardhini | Aadhi |
| 33 | Ninaimaname | Gaangeyabhooshani | Rupaka |
| 34 | Nathaanu | Vaagadheeshwari | Aadhi |
| 35 | Paramugha | Soolini | Aadhi |
| 36 | Eddaya Gathi | ChalaNaatai | Aadhi |
| 37 | Gaanamutham | Saalakam | Aadhi |
| 38 | Kanaka Mayura | Jalarnavam | Aadhi |
| 39 | Anaatha Rakshaka | JaalaVaraali | KandaChapu |
| 40 | Saami Ithe | NavaNeetham | Rupaka |
| 41 | Anjathe | Pavani | Misrachapu |
| 42 | Sadhanantha | Raghupriya | Rupaka |
| 43 | Viraivaagave | Gavambhodhi | Aadhi |
| 44 | SethiruVelan | Bhavapriya | Aadhi |
| 45 | Velane | Subhapanthuvrali | MisraChapu |
| 46 | AndharangaBakthi | Shadvidamarghini | Aadhi |
| 47 | Igapara | Suvarnaangi | Rupaka |
| 48 | Appa Murugaiyane | Divyamani | Aadhi |
| 49 | Kaarunya | Dhavalambari | Rupaka |
| 50 | Een Maname | NaamaNarayani | Aadhi |
| 51 | Ka Murugaiyya | Kaamavardhini | Aadhi |
| 52 | Saami Satha | Ramapriya | Aadhi |
| 53 | Ihame Sukham Tarum | Gamanashrama | Aadhi |
| 54 | Paramanandha | Viswambari | Rupaka |
| 55 | Kandha | Syamalangi | Misrachapu |
| 56 | Sugame Sugam | Shanmukapriya | Aadhi |
| 57 | Unnaiyallal | SimhendraMadhyamam | Aadhi |
| 58 | Manathe | Hemavathi | Rupaka |
| 59 | Kandha Bakatha | Dharmavathi | Misrchapu |
| 60 | Mohanakara | Neethimathi | Rupaka |
| 61 | Naadhasugam | Kaanthamani | Aadhi |
| 62 | GhanaNaya | Rishbhapriya | Aadhi |
| 63 | KaiKoodaVenume | Lathangi | Kandachapu |
| 64 | Igaparasooga | Vachaspathi | Rupaka |
| 65 | SadhaNanathame | MechaKalyani | Aadhi |
| 66 | SaamaGhanaLola | Chitrambhari | Misrachapu |
| 67 | VeluMayilume | Sucharithram | Rupaka |
| 68 | GhanamuthaBhanam | Jyothiswaroopini | Misrachapu |
| 69 | SookaKara | Dhathuvarthini | Aadhi |
| 70 | Thantharul | Naasikabhushani | Rupaka |
| 71 | Ka Guha | Kosalam | Rupaka |
| 72 | ArulSeiya | Rasikapriya | Aadhi |
A final closure song to bring to an end the series, traditionally called illustriousness Mangalam is also composed kick up a fuss Surutti set to Adi tala.